THE CASSETTE CHRONICLES – ELECTRIC BOYS’ ‘GROOVUS MAXIMUS’

The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s and 1990’s. The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from this time period through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums. These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.

ELECTRIC BOYS – GROOVUS MAXIMUS (1992)

When it came time to start putting together this article you are now reading, I originally thought I was going to be writing an opening that talked about how I had never heard anything from the Swedish rockers Electric Boys.

And that’s why it is always good to do research. As it turns out, while I’m sure that I haven’t heard much from the band before listening to this second album from the band, I had actually heard the one song that they are probably most remembered for. On their debut album Funk-O-Metal Carpet Ride, they had the song “All Lips N’ Hips”. I wasn’t sure that I remembered the song but one quick trip to Youtube and I remembered the song (if not the actual video for it). It’s a huge sounding prime cut of 80’s metal with a big chorus and a great overall inviting soundtrack.

That said, while I probably have mostly heard that song via Dee Snider’s radio show The House of Hair, it did bring me back to when the song would’ve been originally released and I liked that metaphorical trip back through time.

I may not have heard anything else from the band, but when I pulled the group’s second album Groovus Maximus out of ‘The Big Box of Cassettes’, I was game to see what I might discover for myself. Of course, this would be one of the rare occasions where the cassette involved would be playing for the first time. Yes, the cassette was still in its original wrapping. It was apparently bought from a Strawberries record store back in the day for the whopping price of $9.99.

The Electric Boys had kind of a hybrid sound, where they crossed their hard rock inclinations with a heaping helping of funk mixed in. It’s a sound that for the most part worked in their favor on this album.

The album opened with the title cut, the first of five straight fast moving rocker type tracks on Side One. The title track has what should be an expected great rhythmic feel to it. The vocals from Conny Bloom (who wrote all the songs on the album) grab you from the start and the song’s one line chorus is an immediate earworm.

The songs “Knee Deep In You” and “The Sky Is Crying” are superb offerings. Meanwhile, there seems to be a slightly grittier tone to the vocals on “Fire In The House”, a song that is definitely more metal than funk driven.

The song “Mary In The Mystery World” starts out with a misleadingly slow intro before the song then bursts out of the speakers in a cacophonous explosion of noisy rock and roll. The main lyrical verses to the song are a bit slower in delivery but the chorus moves quite a bit more lively. I was struck by just how much of a Cheap Trick vibe I got off of the song.

The last track on the first side of the album is the not quite a ballad song “Bed of Roses”. It is near enough to that song style but it does have a bit more of a pulse in terms of tempo. Unfortunately, the song didn’t quite fully endear itself to me.

So for the most part I enjoyed the first side of Groovus Maximus. I had great expectations when I flipped over the cassette for side two and initially that hope for greatness was rewarded.

The opening song of Side Two is the powerfully rocking track “She’s Into Something Heavy”. The album is kicked up another notch on “Bad Motherfunker” which has an incredible serving of guitar work, including a solo that I enjoyed quite a bit.

But I really had trouble getting into the pretty standard power ballad “Dying To Be Loved”. And while they are both somewhat frenetic rock songs, “When Love Explodes” and “Tambourine” were pedestrian tracks at best.

I will say that Groovus Maximus closes out on a high note though. “Tear It Up” is an all attitude song with a fantastic sound to it. I loved the second verse in the song, even though if they tried to put that into a song in today’s climate, they’d likely get a bunch of crap thrown at them.

The last song is an instrumental called “March of the Spirits”. I freely admit that I have my ups and downs when it comes to instrumental music at times but this cut was actually quite good and I would definitely recommend it.

As I researched the album, I learned that Groovus Maximus did not live up to label expectations when it was released. Of course, given that the release came as the grunge sound was taking over music, I don’t think anyone should’ve been surprised that this album didn’t set the sales chart ablaze. And while I do think the second side of the album is a bit of a letdown, overall I can’t help but say that I really enjoyed giving Electric Boys a full first deep listen. The band has a really good sound that appealed to me right off as I played the cassette. I definitely missed the boat on them the first time around but I’m glad that I am on board now.

NOTES OF INTEREST: The Electric Boys split up in 1994 but got back together in 2009 and are still active to this day. Their seventh overall studio album is set to be released sometime in 2021 and will be called Ups!de Down.

During the time the band was on hiatus, singer Conny Bloom and bassist Andy Christell spent some time as members of Hanoi Rocks.

Magazine advertisement for Electric Boys’ Groovus Maximus

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