The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s and 1990’s. The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from this time period through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums. These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.


For longtime readers of The Cassette Chronicles, you might recall that the 1987 Helix album Wild In The Streets was the very first album to be spotlighted. It was the band’s sixth studio album but it was the very first time that I’d ever even heard of the band. Despite my enduring love of that album, I never really tried to hear the early Helix material until just recently. I tried to listen to a copy of Long Way To Heaven a while back but the tape pretty much imploded before I got two songs into it.

But after 160 or so articles since that first one on Wild In The Streets, I thought it was time to take another listen to the band’s earlier offerings and ended up pulling a copy of Walkin’ The Razor’s Edge out of The Big Box of Cassettes.

As I was taking notes I was surprised to see that the band recorded two covers amongst the ten tracks on the album. I did like their cover of the Crazy Elephant song “Gimme Gimme Good Lovin” which was amped up rather nicely. However, I was a little less enthused by the cover of the A Foot In Coldwater track “(Make Me Do) Anything You Want”. It’s the only song on the album that you find the band hitting the brakes and making a turn towards balladry. I didn’t think the song was terrible in and of itself, but it just doesn’t really get me excited overall.

As for the rest of the album, what else can I say but…WOW! The band rocks out hard and fast throughout the other nine tracks (including the Crazy Elephant cover). And this is kind of why I seem to have an affinity for Helix. They just come out and rock your socks off with some hard charging rock and roll that sounds like it is the perfect soundtrack for a rocking Saturday night party. The fast fretwork from Brent Doerner and Paul Hackman get the blood pumping and singer Brian Vollmer (the only original member of the band still in the band lineup to this day) draws you in. I hope no one takes this in a negative way but his vocals always seem to be a little tongue in cheek. It’s a playful smart aleck kind of tone that helps enliven the proceedings just that much more. Vollmer’s vocals strike me that he’s having just as much of a good time as the music is intended to make the listener have for themselves.

The album opens with “Rock You” which was the first single released from the album. It’s got a perfectly catchy anthemic sound and sets the stage for the rest of the album’s fast charging rocking bent. The rest of Side One is just as aggresively entertaining as that song. The tracks “Young & Wreckless”, “Animal House”, “Feel The Fire” and the outstandingly cool sounding “When The Hammer Falls” are all designed to get you up and pumping your fists in the air.

The album’s two cover songs are on Side Two but sandwiched amid them are three more uptempo tracks. “My Kind of Rock” is another anthemic track with “You Keep Me Rockin'” closing out the album quite nicely. But it’s the song “Six Strings, Nine Lives” that really showcases just how furiously fast the band could rock out musically when they put their foot on the gas.

As I said, I’ve been very remiss in checking out the early origins of the band. But after listening to Walkin’ The Razor’s Edge, it is high time for me to rectify that gap in my musical experience. This is a hellaciously entertaining good time and show’s just how good a time it was to be growing up in the middle of the 1980’s hard rock uprising!

NOTES OF INTEREST: As I said, I want to check out more of the band’s early work and that should be a bit easier as four of their albums in total have been reissued on CD by Rock Candy Records. Besides Wild In The Streets and Walkin’ The Razor’s Edge (which has three live cuts included as bonus tracks), the No Rest For The Wicked and Long Way To Heaven albums are also available.

The band shot three videos for the album. They were for the songs “Rock You”, “(Make Me Do) Anything You Want” and “Gimme Gimme Good Lovin'”. According to the Wikipedia entry for the Walkin’ The Razor’s Edge album, Helix actually shot two versions of the video for “Gimme Gimme Good Lovin'”. One was the regular version to be shown on regular music channels. But the second one was the “adult” version which featured topless models in the video. However, I’m not sure that that version is available to see online because one of the models was porn star Traci Lords, who unbeknownst to the entire industry at the time (in 1984) was actually underage during the majority of her adult career. (Additional fun fact, I actually met Traci Lords at one of the Super Mega Fest conventions a few years back).

The song “Rock You” was written by Bob Halligan, Jr. He’s had a pretty prolific career both as a performer and a songwriter. Some of his credits include writing “(Take These) Chains” and “Some Heads Are Gonna Roll” for Judas Priest. He also wrote “Twist” for the Halford album Resurrection. He co-wrote seven of the ten songs on the Kix album Midnite Dynamite and co-wrote the band’s biggest hit song “Don’t Close Your Eyes” (from the Blow My Fuse album). He also co-wrote “Rise To It” and “Read My Body” with Paul Stanley for the Kiss album Hot In The Shade. Halligan Jr. has his own band called Ceili Rain.

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