During the month of October in 2017, Limelight Magazine counted down our favorite 31 horror movies since 2000. This year we decided to go back to the 1980’s which was the peak of the slasher film genre. While almost everyone knows the Friday the 13th, A Nightmare on Elm Street, and Child’s Play franchises, there were a number of slasher films that were released between 1980 and 1989 that have become neglected or overlooked. So, we decided to go through our extensive DVD and Blu-ray collection and feature a slasher film from this time period that we don’t hear a lot about anymore. While not all of these are great films, they are worth checking out if you are a fan of this horror sub genre.
It should be noted that we are referencing one obscure slasher movie per day alphabetically during October. We are only featuring those films we actually own. There are three letters of the alphabet (Q, Y & Z) where we don’t own a film title to match that letter. Please check back daily for the next featured film.
With the closing of the Cable Car Cinema and Cafe in Providence, R.I., after 42 years, we had planned to write an editorial about it. We have so many memories of going there. In fact, the past couple of years the owners really raised the bar with their programming. We also featured them in Limelight Magazine two years ago when the indie cinema celebrated their 40th anniversary. (Click HERE to read the story). However, we noticed a post on Sara Archambault’s Facebook page that expressed our thoughts exactly. Instead of rewriting essentially what she posted, we asked for her permission to share this on our page with our readers and she graciously accepted. So long, Cable Car Cinema and Cafe. You were a gem in the Providence community and a cultural institution!
To Whom It May Concern:
As a filmmaker, an arts sector worker, and a life-long RI resident (with about 20 years in Providence), I want to add a line to the recent debates about the closing of the Cable Car Cinema.
I am fortunate to work at a regional arts funding organization called the LEF Foundation. LEF supports documentary filmmakers who reside in New England but make films around the world. Each year, we gather a jury of film professionals from all over the country to make the grant decisions and in the last few years, we have moved these deliberations from where the foundation is centered, in Harvard Square, to Providence.
I helped to orchestrate this move. I have what is possibly an absurd amount of Providence Pride. I revel in showing off this city’s historic and crafty features. I love the people here; our DIY spirit; the fierce call to create and forge our own paths with nothing but some good ideas and a little sweat. You can see this manifested all over the city in myriad ways.
In the mornings, I walk the jury from where they stay at the Dean Hotel over to Small Point Café for breakfast. At the end of the day, I bring them out to see art or shop some craft stores after a hard day’s work.
Significantly, I always send this jury to the Cable Car, one of this city’s most important cultural institutions. This is a place dedicated to showing the best of independent film, and intentionally building community around cinema. After a day of watching emerging films in progress, it’s satisfying to send the jury to the “cinema with couches” to see what one of these films might look like when it reaches the big screen.
But this year was different.
I knew I was sending this group of film industry leaders to the Cable Car for the last time, and I was heartbroken.
But it’s not only the Cable Car closing that pains my heart. Walking down Westminster, the jury encountered closed storefronts on each block. Every new construction boasted signs for hotels or luxury apartments. But what is it that will draw people to our city? Or make them stay? I’m heartened by the cool little shops and restaurants I see sprouting up downtown, but I worry the new construction signals a stripping away of this city’s beating heart.
Why am I so worried? Until recently, the LEF Foundation was located in Harvard Square, where it had been since 1992. I witnessed the Square morph from a funky, eclectic space to a corporate white wash of familiar franchises. The building LEF was in for more than 25 years was sold and the rent doubled. Down the block the Brattle Theatre, an independent cinema, is a remnant of what the Square once was. It’s all the more treasured for this reason but it too has a wealthy landlord–Harvard University–and ongoing challenges remain.
What I saw happen in Harvard Square, I see happening here.
And so I ask: What do we value, Providence? What do we want this place to be?
Providence is well known around the world for its arts scene. The culture of this place is directly tied to its creative character. Anchors like AS220, Trinity Rep, and PPAC, helped spur this growth we see. Places like the Cable Car, Craftland, Thee Red Fez, the Columbus Theater, Haven Brothers, Armageddon Shop, the Dirt Palace, and Frog N Toad, to just mention a handful, are what give Providence its flavor. Our success as a place is, was and will always be tied to the fates of the determined artists, storytellers, and entrepreneurs who bring our city its cultural life.
RI artist Hilary Treadwell (now famous for her “Don’t Mess with RI Either” t-shirts) was quoted in local media when there was speculation that the Crook Point Bascule Bridge was to be taken down. She said, “The soul of a place is diminished when we dismantle its strange things.”
In our city’s pursuit of growth, I fear we may be dismantling our strange things. And it is, indeed, these same strange things that provide the bedrock to why people want to come here in the first place. What is the vision for nurturing and protecting the local while planning for this growth?
In the case of the Cable Car, it is important to note that one of the largest arts institutions in our city took a primary role in the elimination of one of the smallest. RISD receives tax benefits from our city. What is their commitment to being a community partner?
On the state level, instead of giant tax breaks for one or two large corporations, what about incentives for 40 small businesses? What can we do to help grow the Cable Cars – people committed to this city, with roots here – into mid-size or large businesses with more jobs? Where is that vision for advancement? Finally, how can the giant behemoths of the universities create meaningful partnerships with the business and cultural sector that service a more useful set of values than an asset on a spreadsheet?
What do we want to be, Providence?
I am inviting those of us who are so lucky to live in this wonderful little city to think creatively and challenge our leaders to think with us. Think of sitting on those comfy couches discovering a new movie or maybe going on a first date. What does Providence become without the Cable Cars?
I will mourn the loss of this theater for a long time. I wish the owners (my friends – full transparency) well and I hope they find it within them to recreate somewhere else in town.
Finally, I implore our city, state and institutional leaders, please don’t dismantle our strange things in the pursuit of profit and growth. They are the very pillars that hold us up. Including you.
Since we’ve seen all of the films released in 2017 that were nominated for “Best Picture” and “Best Director,” as well as all of the films in several of the other categories, Limelight Magazine has decided to offer our predictions in 12 of the 24 categories vying to win gold at this Sunday’s 90th annual Academy Awards. We don’t anticipate getting all of them right. (We may even get all of them wrong). But, we thought this would be fun and something different to do. Here are our predictions of who we think will win along with who could be a potential spoiler. Tune in Sunday at 8 PM on ABC to find out how we did.
(Please note that we only made predictions in those categories where we saw every film in contention).
Call Me by Your Name
The Shape of Water
Three Billboards Outside Ebbing, Missouri
This is the most difficult category to predict because there isn’t a clear front runner. However, The Shape of Water and Three Billboards Outside of Ebbing, Missouri are our favorites to win. Get Out could surprise with an upset victory. I, Tonya was robbed of a nomination and should have been placed in contention.
Winner: Three Billboards Outside of Ebbing, Missouri
2017 was the biggest year for horror movies in cinematic history. Every publication from The New York Times to Variety has written about the biggest box office year ever for this genre. While movies such as It, Get Out, Split, and Annabelle 2: Creation, dominated the headlines, they were just a handful of quality horror films released this year. In looking back on 2017, these were our top 20 favorite horror movies. (As we always note when creating a list like this, we haven’t seen every horror film this year but these are our favorites as of December 31, 2017).
While Limelight Magazine previewed less films in 2017 than in previous years, almost everything we saw was top notch. In fact, out of the 48 films we saw theatrically this year, there were only two disappointments (Personal Shopper and 47 Meters Down). In reflecting back on the cinematic highlights of 2017, these were our top 10 favorites. Rather than go into detail about each one, we’re only going to list them so you can discover these movies for yourself. (Disclaimer: This list is based on films I’ve seen as of Dec. 28, 2017. It could be adjusted in the future as I view other films from 2017 in early 2018).
Raw [screened @ Kendall Square Cinema, Cambridge, MA]
With the release of Showtime’s Twin Peaks: A Limited Event Series on DVD and Blu-ray earlier this week, we thought it would be a good time to post photos of some of the real-life Twin Peaks filming locations that Limelight Magazine visited in the state of Washington on September 2, 2017. If you’re a fan of the series, you should enjoy these photos. (All photos are courtesy and copyright of Limelight Magazine.)
Welcome to Twin Peaks Sign Road (Southeast Reinig Road)
“The Great Northern Hotel” (a.k.a. Salish Lodge) and Snoqualmie Falls
“The Palmer House”
“The Giant Log” (a.k.a. Snoqualmie Centennial Log)
“Ronette’s Bridge” (a.k.a. Reinig Bridge)
“The Double R Diner” (a.k.a. Twedes Cafe)
The Packard Sawmill (a.k.a. Weyerhaeuser Mill)
The Roadhouse (a.k.a. Fall City Roadhouse & Inn)
Twin Peaks High School (a.k.a. Mt. Si High School)
Twin Peaks Sheriff’s Department (a.k.a. DirtFish Rally School)
Many people say that the best horror films came out in the 1970s and 1980s, but that simply is not the case. While there are definitely a number of classic flicks there were released during these two decades, the past 17 years have yielded a number of quality horror films that are just as good or even superior to their predecessors.
Since it’s October, we thought it would be festive to list our favorite 31 horror movies since 2000. We haven’t given any details about each film because you should be checking them out for yourselves and making your own judgments. For the fun of it, we included the “Tomatometer” from Rotten Tomatoes to see how the films rate from critics nationwide. Interestingly, only three of the films (i.e. High Tension, Saw and Tusk) fell below 50%.
It should also be noted that we have not seen every horror film of the past 17 years, but have done our best to see as many as possible. This list will be revised if we find more flicks that are worthy of adding. We realize a list like this will trigger differing opinions so we welcome all of your comments.
It Follows (2015) [Tomatometer = 96% fresh]
2. The Babadook (2014) [Tomatometer = 98% fresh]
3. Tusk (2014) [Tomatometer = 41% fresh]
4. Let Me In (2010) [Tomatometer = 88% fresh]
5. Orphan (2009)[Tomatometer = 55% fresh]
6. Raw (2017) [Tomatometer = 90% fresh]
7. [Rec] 2 (2009) [Tomatometer = 70% fresh]
8. The Orphanage (2007) [Tomatometer = 87% fresh]
9. Martyrs (2008) [Tomatometer = 53% fresh]
10. The Invitation (2015) [Tomatometer = 88% fresh]
11.House of the Devil (2009) [Tomatometer = 86% fresh]
12. Inside (2007) [Tomatometer = 83% fresh]
13. The Blackcoat’s Daughter (2015) [Tomatometer = 73% fresh]
14. Behind the Mask (2006) [Tomatometer = 74% fresh]
15. High Tension (2003) [Tomatometer = 41% fresh]
16. Saw (2004) [Tomatometer = 48% fresh]
17. The Conjuring (2013) [Tomatometer = 86% fresh]
18. Rec (2007) [Tomatometer = 88% fresh]
19. Starry Eyes (2014) [Tomatometer = 75% fresh]
20. The Neon Demon (2016)[Tomatometer = 57% fresh]
21. The Children (2008) [Tomatometer = 73% fresh]
22. Cold Prey (2006) [Tomatometer = No Score]
23. Session 9 (2001)[Tomatometer = 63% fresh]
24. Sleep Tight (2012) [Tomatometer = 93% fresh]
25. The Witch [Tomatometer = 91% fresh]
26. Afflicted (2014)[Tomatometer = 81% fresh]
27. The Mind’s Eye (2015) [Tomatometer = 59% fresh]
28. The Autopsy of Jane Doe (2017) [Tomatometer = 87% fresh]
Honorable Mentions: Curse of Chucky, Don’t Breathe,The Final Destination,Frontier(s), Goodnight Mommy, The Hills Have Eyes, Hostel, Lost After Dark, May, Maniac, The Sacrament, Saw IV, Saw VI, Trick ‘r Treat, The Void, We Are Still Here and Wolf Creek.
Music and entertainment coverage since October 2006!