All posts by limelightmagazine

The Fixx to perform the hits with classic lineup at the Narrows Center

FALL RIVER – British rock band The FIXX return to the Narrows Center in Fall River, Mass., on Friday, August 11, 2017. The band, which still features their classic line up of Cy Curnin, Adam Woods, Rupert Greenall, Jamie West-Oram and Dan K. Brown, will perform an evening of Fixx greatest hits and fan favorites! Purchase tickets HERE.

Formed in 1979 in London, The FIXX came to prominence in the MTV-era when their 1983 release, “Reach the Beach,” delivered the hit singles “One Thing Leads to Another” and “Saved By Zero.” The album reached No. 8 on the Billboard charts and was certified double platinum for selling over two million copies.

Throughout the band’s career, The FIXX have released 10 studio albums and were a fixture on the pop charts with such songs as “Red Skies,” “Are We Ourselves?,” and “Secret Separation.” They have been heralded as one of the most innovative bands to come out of the MTV era.

Live, in concert, the band delivers that same sonic authenticity fans have come to expect from their recorded performances because The FIXX are the real deal.

The Narrows Center for the Arts is located at 16 Anawan Street. Tickets to his show can be purchased online HERE or by calling the box office at 508-324-1926. For those wanting to purchase tickets in person, box office hours are Wednesday through Saturday, 12 noon to 5 p.m.

PHOTO BY LIZ LINDER

The Cassette Chronicles – Paul Rodgers’ ‘Now’

BY JAY ROBERTS (SPECIAL TO LIMELIGHT MAGAZINE)

The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s and 1990’s that I have acquired through Purchase Street Records in New Bedford, MA.

The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from the 1980’s through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums.

These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.

Paul Rodger’s Now (1997)

It isn’t much of a secret that I am a huge fan of both Bad Company and singer Paul Rodgers. In fact, I could swear that I once owned this album on CD but it must’ve gotten lost somewhere along the way. Thankfully, the cassette copy of the album was a way to rediscover the gem that is the Now album. The entire first side of the album is chock full of one great song after another.

The album opens with “Soul of Love” which is just the first of a number of blues and R&B infused rockers. You get the classic vocal sound from Rodgers (who is in fine voice throughout the album) as well as getting to listen to guitarist Geoff Whitehorn.

While Rodgers wrote nine of the eleven songs on the album, it was quite invigorating to listen to how Whitehorn ran through the guitar lines on each song whether it called for him to cut loose with a shredding solo or restrain his playing to a soulful lick here and there. Other rockers to check out include “Saving Grace” and the closing track “Holding Back The Storm.”

There’s an effectively moving ballad in “All I Want Is You” and the low key style of “Love Is All I Need” is enhanced by the use of a vocal choir.

While at times the music might make you think that this could be a “lost” Bad Company album, the album really stands on its own as a solo recording for Rodgers.

The one knock on the album would be with the song “I Lost It All”. While the middle of the song grows into a big pounding stomp with some outstanding guitar riffs and an unrestrained vocal turn, it is book-ended by a slow mournful cadence to the music that makes you long for things to get going.

While the idea of Paul Rodgers being involved in yet another quality music project isn’t a groundbreaking assertion, getting to listen to Now like it was a new musical experience helped make me dig what I was hearing all the more.

Note of Interest: Journey guitarist Neal Schon co-wrote the song “Saving Grace” along with Rodgers and guitarist Geoff Whitehorn.

Rik Emmett to celebrate the music of Triumph in Fall River

Rik Emmett, lead singer and guitarist of the rock band Triumph, returns to the Narrows Center in Fall River, Mass., on Saturday, Sept. 16, at 8 p.m. Emmett will celebrate the music of Triumph with a special acoustic performance with Dave Dunlop. Tickets can be purchased HERE.

Emmett gained international notoriety as the lead singer/songwriter/guitarist of the rock trio Triumph. From 1975 until 1988, the band released nine albums that were certified gold or platinum in the US and Canada thanks to the massive singles “Follow Your Heart,” “Magic Power,” “Lay It On The Line,” “Hold On,” and “Somebody’s Out There.” After leaving the band, Emmett went on to form a successful solo career, which showcased him as a proficient songwriter and guitarist.

Audiences marvel at the versatility of Emmett as he continues his prolific run of solo indie CDs, from classical to jazz to acoustic pop and folk vocal stylings through to the hard rock and heavy metal that made his reputation in the first place. His wide catalogue of songs garners radio airplay on classic rock stations throughout North America. A former VP of the Songwriter’s Association of Canada, and formerly the Artistic Director of the Humber Songwriting Workshop, Emmett helped to develop the Music Business course in the Humber Music program and currently teaches songwriting there, as well as consulting on several student recording projects.

The Narrows Center for the Arts is located at 16 Anawan Street. Tickets to his show can be purchased online HERE or by calling the box office at 508-324-1926. For those wanting to purchase tickets in person, box office hours are Wednesday through Saturday, 12 noon to 5 p.m.

Rik Emmett (PHOTO BY STUART HENDRIE)

The Cassette Chronicles – Babylon A.D’s self-titled debut

BY JAY ROBERTS (SPECIAL TO LIMELIGHT MAGAZINE)

The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s that I have acquired through Purchase Street Records in New Bedford, MA.

The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from the 1980’s through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums.

These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.

Babylon A.D’s Babylon A.D. (1989)

The self-titled album from Babylon A.D. came out just a few months after I graduated high school and the two best known tracks from the album landed with an amped up fist upside the head.

For me, there’s no doubt that the two lead tracks from this album, “Bang Go The Bells” and “Hammer Swings Down,” represent some of the best adrenaline fueled anthemic rock that the genre had to offer at the time. Both songs capture everything that made the 80’s metal era so special.

Now I would like to say that I worship this album like a religious artifact or something but the truth of the matter is that beyond those two songs, I initially didn’t really get into the rest of it. I had the cassette, but I kind of bypassed the rest of the album with only a cursory interest. I have no reason why except to say that the band and album just simply fell through the cracks for me. The album disappeared from my collection and I have no idea what happened to it. So when I got the chance to pick it up again, I knew that I had to do so.

I’d heard other songs from Babylon A.D. over the years and had really grown to appreciate what I had so casually ignored in the past. But what really got me interested in the album was when my friend Roger [Chouinard], who owns Purchase Street Records, showed me a damn near pristine vinyl edition of the album when I visited the shop one day. He put it on and we listened to the whole album and I was kind of blown away, albeit 28 years after the fact.

The songs “Maryanne” and “Sweet Temptation” keep things on a fast paced track while the extended guitar opening on “Shot O’ Love” provides one of the few quieter moments on the album.

The late comedian Sam Kinison appears on the track “The Kid Goes Wild.” The song was featured in the movie Robocop 2. While the song is pretty good, it actually could’ve done without Kinison’s mid-song ranting. The band may have been “Angry and young, under the gun” but Kinison was merely a distraction.

While the band is categorized as glam metal, singer Derek Davis (billed solely as “Derek” in the liner notes) has a bluesy timbre to his voice that gives the band a little different edge than number of bands from that time period. This is most on display in the closing track “Sally Danced” which is starts off as a blues/blues rock song before gaining more of an in your face hard rock vibe as the song progresses.

The strength of “Caught Up In The Crossfire” comes mainly from its chorus, which is just killer. Also falling into the make or break chorus category is the band’s “power ballad,” the song “Desperate”. The other saving grace is how the intensity of the song grows (much like most power ballads from the 80’s) toward the end of the song.

It may have taken me a long time to really get into this album, but believe me I’m there now. This album is a hugely underrated gem from the mid-to-late period of when metal ruled the world. If you like pure, honest and unadulterated rock and roll, you’d do right by yourself to pick this album up and make your ears bleed in the good kind of way.

Notes of interest: While Babylon A.D. hasn’t released a studio album since 2000, they’ve had four different periods of activity including their latest reformation (with 4/5 of the original lineup) that began in 2013.

Jack Ponti, a prolific musician/songwriter/producer/label executive, co-wrote five of the album’s 10 songs. He produced two mid-90’s albums by Doro Pesch and went on to be the CEO of the Merovingian Music label.

The Cassette Chronicles – Hurricane’s ‘Over the Edge’

BY JAY ROBERTS (SPECIAL TO LIMELIGHT MAGAZINE)

The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s that I have acquired through Purchase Street Records in New Bedford, MA.

The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from the 1980’s through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums.

These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.

Hurricane’s Over the Edge (1988)

While this second album from the band is by far their most successful, I have to say that I found myself a little disappointed by it. Now, I remember the band when they first hit the “big time” with their top 40 charting “I’m On To You” from this album. But I can’t remember if I actually owned Over The Edge or not back then.

Now with “I’m On To You”, aside for the “na na na” part in the chorus, it was a killer song. There’s no denying how much of an earworm the track was at the time. The video for the song was all over MTV. Unfortunately for me at least, there wasn’t much else that caught my ear aside from the song “Shout” which was also a stand out number.

Instead, I found that they recorded one of the worst covers I’ve ever heard with Alice Cooper’s “I’m Eighteen” and then closed the album with the track “Baby Snakes” which uses “recorded” phone conversations of a guy too clueless to realize that the girl he keeps calling for a date wants nothing to do with him. Believe me the song is not the least bit entertaining and in fact is rather embarrassing to realize that it passed muster to be included on the album at all.

So, while the album did have those two decent standout cuts, I seem to have otherwise missed the boat on this band because the rest of the album just didn’t appeal to me. I guess you can chalk this one up to being another case of when nostalgia for the music of your youth didn’t pay off by bringing back any fond memories. It isn’t that I think the band was necessarily horrible or anything. But in going back and listening to the album, I realized they really did very little to set themselves apart from what was at the time a bevy of similar sounding bands.

In writing this piece, I talked to the guy who runs the local comic shop I frequent about Hurricane and this particular album. He’s also big metal fan and when I brought this topic up in conversation, he was very insistent that the band’s first release, Take What You Want, was a far superior album.

Notes of Interest: The band is actually around these days with original members Robert Sarzo (guitars) and Tony Cavazo (bass) leading the group. Original singer Kelly Hansen has been fronting Foreigner since 2005. When Sarzo left the band in 1989, he was replaced by Doug Aldrich who would later go on to play for Dio, Whitesnake and he currently plays with The Dead Daisies.

O Town & Ryan Cabrera to perform at Narrows Center in Fall River

Originally formed on the ABC/MTV reality show Making The Band, which chronicled their formation and rise to fame, O-Town is touring with Ryan Cabrera this summer. They will make a stop at the Narrows Center in Fall River, MA, on July 25th. Purchase tickets HERE.

O-Town’s story began in 1999, when TV network, ABC, produced the very first musical reality show in major network history. “Making the Band” was produced in conjunction with Lou Pearlman, creator of both the Backstreet Boys and *NSYNC . The show chronicled the creation, development, and rise to success of O-Town throughout three seasons of the series; the first two on ABC and the final season on MTV. The group became the first to be signed by Clive Davis to his label, J Records, and released two full-length albums, which included #1 singles, “Liquid Dreams” and “All or Nothing.” The latter of which was nominated for “Song of the Year” at the Radio Music Awards in 2001.

By 2003, O-Town found themselves amidst an industry that was beginning to experience dramatic changes, former mentor, Lou Pearlman’s, legal battles and eventual conviction regarding embezzlement of more than $300 million, as well as a complex contract that left the group in dire financial strain.

“We really had little choice but to close up shop at that point”, Jacob Underwood explains. “We learned so much during those four years, but it was obvious the time had come to walk away, hoping we could do it again one day, differently”.

Reunited in 2014 as a four-piece, following the departure of member, Ashley Parker Angel, band members Underwood, Trevor Penick, Dan Miller and Erik-Michael Estrada, released their third studio album, Lines & Circles, and set out on a national tour for the first time in 10 years in support of the album. Additionally, the group made their acting debut starring in Backstreet Boy member, Nick Carter’s cult film, Dead 7, amongst members of all of the generation’s biggest boy bands, which was premiered on the Sy-Fy channel.

After touring for the last three years and realizing the incredible support of their loyal fans, it seemed clear to the band that they could produce their fourth album free of any label, and could rely solely on their fans for funding. In October 2016, the group launched a Kickstarter campaign to do just that. The campaign was so incredibly successful that they met their initial goal of $47,500 within the first seven hours. At the end of the 30 day campaign, they nearly doubled that goal, proving their loyal fan base will continue to support the group as they pursue new musical endeavors.

O-Town is now preparing to release their fourth studio album, which will be split into two EPs. The first single, “Empty Space” will premiere this month on Yahoo! Music. The group will then head out on a series of tour dates throughout the summer, including the Narrows Center on July 20th.

Joining O Town for the tour is Ryan Cabrera, the platinum-selling singer/songwriter and architect behind ubiquitous smashes such as “On the Way Down,” “True” and “Shine On,” as well as albums including 2004’s Take It All Away, which hit #8 on the Billboard Top 200, You Stand Watching (2005), and The Moon Under Water (2008). Ryan was asked to join O Town for this tour and is delighted to be on the road with them.

The Narrows Center for the Arts is located at 16 Anawan Street. Tickets to his show can be purchased online HERE or by calling the box office at 508-324-1926. For those wanting to purchase tickets in person, box office hours are Wednesday through Saturday, 12 noon to 5 p.m.

Fingers-Blazing Instrumental Guitarist R.D. King gears up for CD release on April 27

This Thursday, April 27, Boston-based acoustic guitarist R.D. King will celebrate the release of his debut album vs. Self with a special concert at 7:30 pm at the Rockwell Davis Square Theater in Somerville, Mass. He will be joined by Jenee Halstead, an award-winning local favorite known for her songwriting prowess and memorable vocals. Check out King’s new music video for the song “An End to Wandering” by clicking HERE.

In vs. Self, King blends guitar acrobatics with an emotional and intellectual sensitivity to craft a reflective journey that defies genres and expectations. Although you won’t find any vocals on this album (King is an instrumentalist only), that doesn’t detract from its cinematic imagery and vivid storytelling. Each of the nine original tracks feature nothing but solo guitar—something many listeners have difficulty believing, given the fullness of sound.

King’s use of fingerpicks (metal picks that wrap around the end of each finger) lend the guitar a distinct and unusual timbre. There’s a care for songwriting and melody that emulates pop; rhythms and ideas that more closely resemble rock; and a compositional intricacy reminiscent of classical music. Despite the music’s complexity, it retains a surprising accessibility.

King grew up in various towns in eastern Massachusetts before studying classical guitar at Ithaca College. After graduation, he returned to Boston to pursue music. King draws inspiration from literature, philosophy, psychology, and meditation. Born into a family of writers, artists, and musicians, King has always turned to creative process as the framework for introspection and growth. He currently teaches and performs out of Somerville.

vs. Self will be available for purchase at the concert and will be available on iTunes and Spotify on April 28. You can purchased tickets to the event HERE.

R. D. King (SUBMITTED PHOTO BY HAILEY MAGEE)

 

The Cassette Chronicles – John Norum’s ‘Total Control’

BY JAY ROBERTS (SPECIAL TO LIMELIGHT MAGAZINE)

The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s that I have acquired through Purchase Street Records in New Bedford, MA.

The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from the 1980’s through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums.

These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.

John Norum’s Total Control (1988)

If I remember an article I read correctly, guitarist John Norum left Europe back in the 1980’s because he was unhappy over the more commercial bent of the group’s music. Given that he has been part of the lineup for years with the band’s turn towards a more classic rock sound these days, you can kind of see where he was coming from given the material that was included on this particular album.

With Norum singing lead on eight of the eleven tracks as well as playing guitar, the guitarist was clearly in as much “total control” as possible for the time. While the album’s production is clearly of the 80’s, the material does veer greatly into the heavier guitar driven sound. While keyboards do have a presence on the album, they don’t overwhelm the clearly more aggressive rocking vibe.

There are nine original songs on the album plus two covers. The cover of Thin Lizzy’s “Wild One” closes the album while Norum also covers the Vinnie Vincent Invasion song “Back on The Streets.”

The album does a nice job of keeping the blood flowing with great guitar work on tracks like “Eternal Flame” and “Law of Life,” but the downbeat and moody style employed on “Too Many Hearts” makes for a disappointing song.

When you think about it, the album is kind of a foretelling of what Europe is doing now, musically speaking. And it isn’t a bad thing either. This album is quite enjoyable and I think people will be surprised by what they hear.

Note of Interest: Swedish singer Goran Edman, who would go on to front Yngwie Malmsteen’s band for two albums (amongst many other projects), sings lead on the three tracks where Norum does not have the lead vocal.

The Cassette Chronicles – Eddie Money’s ‘Nothing To Lose’

BY JAY ROBERTS (SPECIAL TO LIMELIGHT MAGAZINE)

The Cassette Chronicles is a continuing series of mini reviews and reflections on albums from the 1980’s that I have acquired through Purchase Street Records in New Bedford, MA.

The aim of this series is to highlight both known and underappreciated albums from rock, pop and metal genres from the 1980’s through the cassette editions of their releases. Some of the albums I have known about and loved for years, while others are new to me and were music I’ve always wanted to hear. There will be some review analysis and my own personal stories about my connection with various albums.

These opinions are strictly my own and do not reflect the views of anyone else at Limelight Magazine.

Eddie Money’s Nothing To Lose (1988)

In a previous installment of The Cassette Chronicles I wrote about Eddie Money’s Can’t Hold Back album and how beyond the two hit songs from the release, the album was otherwise lacking in high quality material.

Nothing To Lose was the follow up album to Can’t Hold Back and it is surprisingly much more of a cohesive album. This is in spite of the fact that it really only has one hit song, the solidly entertaining “Walk On Water.” Working in concert with guitarist Richie Zito (who played guitar on eight of the ten songs as well as co-producing and co-arranging), Money found a real solid groove here.

While the more commercially oriented material is the main component, there’s a couple of full on rocking tracks. “Forget About Love” and “Bad Boy” have a strong guitar that runs throughout each song. The solo on the latter song is electrifying while the more aggressive than expected guitar work on the former song at first surprised and then delighted.

The track “Let Me In” has kind of annoying build up in the chorus but the song was otherwise solid. And the atypically good but not sugary love song “Pull Together” was lyrically potent.

While this was pretty much the last Eddie Money album that I can say that I paid attention to, it did take me a little by surprise and I’m pretty happy that was the case. I’ve got a couple of online friends who rave about Eddie Money to this day and looking back on this album will likely mean I have to break down and check out some of the material that came later on.

Note of Interest: Guitarist Stevie Salas made a guest appearance on the track “Let Me In”.

Exclusive: Limelight Premiers Katie Dobbins Debut Single ‘More Love’

Katie Dobbins (PHOTO BY KRIS DOBBINS PHOTOGRAPHY, SUBMITTED BY KATIE DOBBINS)

Contemporary folk artist Katie Dobbins will release her debut album, She Is Free, at The Burren Backroom in Somerville, MA, on May 7, 2017, and Limelight Magazine is premiering the new single “More Love” off the album. Click HERE to give it a listen.

Coupling a contemporary folk foundation with new country embellishments, Dobbins’ music, though reminiscent of Jewel and Colbie Caillat, establishes itself solidly in a genre all its own. Her release show will feature supporting sets by Boston performers Hana Kahn and Age, artists who, in addition to bringing their own locally-renowned musicianship, also perform in the evening’s spirit of freedom, empowerment, and love.

Dobbins explains, “This album, She Is Free, is a collection of songs I created over time, and its release signifies my own personal freedom from any insecurities or fears I have held about myself or my music up to this point. The songs on the album pay tribute to certain people in my life who have empowered me along the way, and also tell stories of various real and imagined characters pursuing love and freedom.”

Dobbins works as a special education teacher in Lexington, MA and performs regularly as a solo artist in the Boston area and with the band at Storyheights Church. She Is Free is Dobbins’ debut release, its nine tracks touching on themes of love, self-empowerment, and setting yourself free. Following the release of her album, Dobbins plans to travel regionally and share her music with new audiences throughout New England.

She Is Free will be available on iTunes, Spotify, and Bandcamp. For additional information, please contact Dobbins at the information provided below.

Let The Music Set You Free

Katie Dobbins She Is Free album release show with Hana Kahn and Age on May 7, at 8 p.m. at The Burren, 247 Elm Street, Somerville, Mass.

Ticket Link: http://bit.ly/2mfOIMc