After 13 years, Fright Rags continues to produce the best horror T-shirts

BY JULIA CIRIGNANO

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The Rochester, NY, based company Fright Rags has produced some amazing T-shirts over the past 13 years. Pictured above is the out of print Halloween V1 T-shirt. (SUBMITTED PHOTO BY BEN SCRIVENS)

Ben Scrivens, President and CEO of the Rochester, NY, based business Fright Rags, recently spoke with Limelight Magazine. Scrivens founded Fright Rags in 2003 and has worked tirelessly since then to keep their mission of making the “best horror shirt designs period” intact while expanding and evolving in a positive direction.

“It happened pretty organically, really,” said Scrivens when asked about why he decided to open a horror-centered T-shirt shop. “I am a graphic designer by trade and was looking for something to do in my free time to let off some creative steam. I’ve always been a huge horror fan (and a fan of weird and interesting T-shirts) so I decided to combine the two because I never had any cool shirts to wear based on my love for the genre. Once I posted them on my friend’s forum (Justin Mabry of Nightowl Productions), people seemed to like them so I thought I’d start up a website and sell them.”

Over the past 13 years of business, the company has evolved in many different ways.

“What started out as just me with a couple boxes in the spare room of my apartment is now a business that employs eight people (six of whom are full time) in an office/warehouse (that used to be the old morgue) in downtown Rochester, NY,” Scrivens said. “Even though we are still a small company, it has grown bigger than I had ever imagined. However, the goal is still the same: make the best damn shirts and provide the best service, period.”

Scrivens also spoke about the ways in which he has grown as a business owner.

“I did not go to school for business so it has been all on-the-job training for me,” he said. “As we grow, so does the need to figure out how to handle that growth, lead people, and create the culture I want to have around me at all times. These are things I never thought about when it was just me sitting at my computer building the website from scratch.”

Fright Rags’ website states that it has the “best horror shirt designs period.” Scrivens explained the process of how he comes up with the T-shirt designs.

“The process differs depending on the artist, property, and other factors,” Scrivens began. “In general, it starts with us getting the license for a specific property. Once we sign the deal, we think about what we want to see on a shirt and who we want to work with to create the designs. Sometimes, we have very specific ideas that we give our artists; other times we tell the artist to run with it and only give them the limitations we may receive from the licensor. Then, we look at the rough draft and make notes, send for approvals, and eventually get to the final design. It’s a long but fun process and usually by the time the public sees them, we’ve been staring at them for a few months so it’s great to see everyone’s reactions when we finally reveal them.”

Many of the T-shirt designs at Fright Rags capture those favorite moments or scenes from a particular film.  Scrivens said this is one of the main things that sets Fright Rags business apart from other niche T-shirt companies.

“Many companies tend to just slap images they are given from the licensor onto the shirt with the title,” Scrivens said. “While that has its place, we have always focused on the original art that we commission from artists as a cornerstone to what we do and I believe that it what helps set us apart from everyone else.”

Fright Rags recently launched some T-shirt collections with musicians such as Alice Cooper and Rob Zombie.

“Both artists have been pretty involved with the designs and we were given a fair amount of leeway when creating them,” Scrivens explained. “We worked through our licensor and Alice’s management to get approval. For Rob, I worked with him directly on all of our designs. He’s a great guy and has a lot of constructive input on our designs, which has made the process not only smooth but also very collaborative.”

A big part of Fright Rags’ success is due to their user friendly website. It has a lot of unique features such as the ability to request reprints of past T-shirts.

“We used to bring back a set amount of reprints each month but these days we only focus on the best-selling items and keep those in stock,” Scrivens said. “Like any product, there is a life cycle and we track sales on all items to see what is selling, what is not, and adjust. In general, we bring back four to six designs every month but that varies depending on what we are releasing at any given time. There is no guarantee that a shirt will be back, so it’s always good to grab it when you can because it might be gone for good.”

photo-fright-rags-1
The currently out of print “Chum Bucket” T-shirt from Fright Rags is President and CEO Ben Scrivens favorite designs. (SUBMITTED PHOTO BY BEN SCRIVENS)

When asked what his favorite T-shirt design has been over the past 13 years, he said, “That is a tough one because I think of these shirts as my kids. However, a few of them are Chum Bucket, Halloween V1, and Kill Destroyers.”

Another unique trait of Fright Rags is their Midnight Madness T-shirt sales which have been quite popular. Scrivens talked about how he came up with this idea to release one-of-a-kind shirt designs for only 24 hours without the ability to ever purchase them again.

“I always liked the idea of releasing limited edition shirts that you had to jump on to get it in time or they were gone forever,” Scrivens said. “I wanted to do something that made me remember staying up late on Fridays and Saturdays as a kid, watching horror films, so releasing these late Friday to late Saturday seemed like a cool way to recall our childhood memories.”

Scrivens also talked about one of the horror conventions in Cherry Hill, NJ, that Fright Rags has been a part of for a while now.

“Monster Mania in Cherry Hill are the two shows (March and August) that we participate in on a regular basis,” Scrivens said. “It’s hard for us to get out to a lot of shows but we plan to add some more in the future. While they are great for marketing, I also love getting out there and meeting our fans and customers. They become the celebrities to me as I can finally put faces to the names we see on our screens every day.”

Besides conventions, Scrivens talked about the other ways in which he markets and promotes Fright Rags.

“We focus mainly on our email newsletters and social media for our advertising, as well as a few print ads,” he said. ‘We are extremely fortunate in that people like to share our stuff, so word of mouth has been instrumental to our growth.”

With the holidays coming up, Scrivens explained that this is definitely his busiest time of the year for him.

“Things pick up in September and are busy right through mid-late December,” he said. “A lot of it has to do with the types of things we release around this time of year but obviously Halloween and Christmas play a huge role in that as well.”

Scrivens would like to thank everyone who has supported and continues to support Fright Rags.

“I just want to say thank you to each and every person who has ordered from us, posted a pic of themselves in a shirt, tweeted us, liked us on Facebook, or visited us at conventions. Every person who has interacted with us in some way has helped make this company what it is today. That is something I do not take for granted, ever.”

For more info about Fright Rags or to purchase a T-shirt or any of the other products they carry, click HERE.

The out of print Kill Destroyers T-shirt from Fright Rags is another favorite of owner Ben Scrivens.  (SUBMITTED PHOTO BY BEN SCRIVENS)
The out of print Kill Destroyers T-shirt from Fright Rags is another favorite of President and CDO Ben Scrivens. (SUBMITTED PHOTO BY BEN SCRIVENS)

Dan Masterson wins Last Band Standing Competition and plans next moves

BY JULIA CIRIGNANO

Dan Masterson and his band after winning The Last Band Standing Competition. From left, Jamie Howell, Alec Gaston, Dan Masterson, & Matthew Silva. (PHOTO BY PATRICK CREAN, SUBMITTED BY HAILEY MAGEE)
Dan Masterson and his band after winning The Last Band Standing Competition. From left, Jamie Howell, Alec Gaston, Dan Masterson, & Matthew Silva. (PHOTO BY PATRICK CREAN, SUBMITTED BY HAILEY MAGEE)

Dan Masterson is a Boston based singer/songwriter who is best known for his emotion driven, pop/rock music. On October 15th, Masterson won The Last Band Standing Competition, hosted by New England Music Awards that featured nearly 200 acts from across New England.

Masterson sat down with Limelight Magazine to discuss his recent win. He talked about the competition which was hosted at The Hard Rock Café in Boston and his gratitude towards his band, fans, and the judges.

“The band and I are really proud to have won and we’re excited for the opportunity that comes along with the prizes of studio time and promotion,” Masterson said. “Especially because so many great acts competed (not just at the final round but in the preliminary rounds) we feel lucky to have made it. A few judges who had seen us perform before said we were far more polished and comfortable at this show. I credit that to my bandmates who have been playing out with me now for around two years and to our friends who come through again and again, singing along at the show.”

Masterson spoke about how he met the other three band members Alec Gaston, Matt Silva, and Jamie Howell.

“I met Matthew Silva (bass, vocals) when he responded to a Craigslist ad,” Masterson said. “I’m always very specific in Craigslist ads for bandmates. I think I referenced James Jamerson and a few other bass players I really like so I could find the best match. It’s a tricky business using Craigslist but [Silva] knew all the names, understood the vibe, and was a great fit.”

“Alec Gaston (guitar, vocals) I met in the middle of one of his solo cover gigs in the basement of the Harvard Square Tasty Burge,” he continued. “I stumbled in just to kill some time and grab a bite. There were maybe five people in the room and he was laying it all out, like he was determined to melt those five faces. When he took a break, I introduced myself, asked him if he’d be interested in checking out my group and possibly joining up.”

“Jamie Howell (drums) came on board about six months ago after Alec suggested he join up. Alec and Jamie also played together in a Brooklyn-based group called Chameleon Culture so the transition was very smooth.”

These four band members form a tight knit band family and have continued to refine their music ever since meeting. Masterson spoke about the experience of playing with his band during the competition.

“The Hard Rock Café has one of the best sound systems in Boston and a great staff and vibe to go with it,” Masterson said. “I’ve had the pleasure of playing there five or six times in the last few years and every time our friends are excited to come to the show because they know it’s going to sound good.”

During the competition, Masterson performed several of his original pop/rock songs and a cover of Queen’s “Don’t Stop Me Now.” He explained why he chose each song he performed, showing just how much thought really goes into picking a playlist.

“In a showcase/competition scenario, we have a relatively short amount of time to both entertain the crowd and impress the judges,” Masterson said. “We knew that ‘Don’t Stop Me Now’ got great feedback from a recent benefit show we did at Oberon so we decided that would be the cover tune for both rounds. We also rolled out a brand new arrangement of ‘Helpless’ at the first round, which gave our fans something fresh and showed the judges we had some versatility to our sound.”

“For the final round, we went for all the crowd pleasers — the songs that have been popular on Spotify and Pandora like ‘Learn To Live’ and ‘Slow Burn’. We put ‘Atlas’ last at the final because it has a fun bridge that the audience likes to sing along with. These are all things we’ve learned by playing shows, watching footage from the gigs, and thinking critically about how we can constantly engage with the audience,” he continued.

Masterson’s prize for winning the competition included studio time at three recording studios. He talked about how excited he is to record especially at Rocking Horse Studio in Pittsfield, N.H., with producer Brian Coombes.

“We already had some plans in the works for recording new music so to some extent we’re planning to hold that studio time in our back pocket for when it’s most needed,” Masterson explained. “I have chatted with Alex Allinson at the Bridge Sound & Stage (in Cambridge, Mass.) about doing something really special for our biggest supporters but I don’t want to let the genie out of the bottle too soon. Your readers will have to jump on my e-mail list to find out!”

Masterson released his first album in 2011 title The Father Time. He explained the copious ways in which he has evolved since his debut album.

“I’ve had the pleasure of working with several professional engineers and producers since that release and I’ve played tons of venues both solo and with my band,” he said. “I’ve played to audiences of all sizes on instruments of varying quality with sound systems of even more varying quality. All of those experiences reform how we arrange a song, how I play a song, and future writing. Most importantly, I think I’ve learned that the only way to really improve your craft is to work with musicians who are more talented than you, engineers that are more knowledgeable than you, and producers who are more experienced than you.”

Masterson released his most recent album Atlas in April of 2015 and has plans to work on new music soon.

“We’re definitely itching to get back in the studio and put some new tunes down,” he said. “I’m excited to be working through the preliminary stages of a new project with Boston Music Award winner Dave Brophy. I don’t want to let the genie out of the bottle too soon but we have some exciting plans that involve new music coming your way at the start of 2017.”

Masterson is known for his emotional performances both live and on his albums. His music is first and foremost piano driven pop/rock which is evident within his exceptional performances. Masterson said that his favorite part of performing is the “connection the music fosters between people and the ability of songs to reach people.”

“It’s great to look out from the stage and see friends meeting new people,” he said. “It’s energizing and inspiring to hear from fans after a set that a certain song helped them through a breakup or a tough move or some other life stressor. There are also these moments where the whole band vibes and plays off one another in a really indescribable, improvisational way. Those moments are thrilling and keep the songs alive.”

While Masterson’s ability to produce emotional performances has it pros, it also has its cons. He talked about how he deals with being open and honest all of the time.

“I always remember that even though I’m drawing on my personal experiences and personal emotions (which can leave me feeling exposed for sure) these are often universal feelings: rejection, existentialism, financial stress, jealousy, heartbreak,” he began. “Sometimes, I’ll start off writing a song that’s very personal but fictionalize or embellish the story to make it slightly more compelling or more relatable. Putting emotion into a performance is essential to me.”

“It’s great that fans turn to these songs because they are raw, open, and relatable,” Masterson continued. “It’s also great to perform the tunes with a full band because we can enhance the dramatic nature of the lyrics with our arrangements and that makes for a show that sticks with the audience.”

When writing songs, Masterson likes to challenge himself by starting with fictitious scenarios.

“It’s easiest to write about real life scenarios because I can draw on every thought and emotion I might have at the time but a good portion of my writing starts off with a fictional character or hypothetical situation,” he said. “I try to come up with a clear idea of what a person might feel or say or do in a given situation. Sometimes they relate directly to my personal experience. Other times, it’s purely an exercise in empathy and creative writing.”

Although Masterson takes on as much creativity as possible with his songwriting, it is also a therapeutic, self-healing experience for him.

“A good number of the songs off [my sophomore EP] Learn To Live were written after a particularly difficult time for me, when I was questioning my own character and dealing with the fallout of a failed relationship,” Masterson explained. “Sometimes it’s good to vent through songs. My priority though is on the craft of writing a good song. I really respect songwriters who choose each word carefully, consider the meter and placement of words, even how a word sounds on a certain note or how the melody helps augment the emotions of a certain phrase.”

Masterson is a perfectionist when it comes to songwriting. He is passionate about his writing but is also greatly aware of the world outside of emotions and rock n roll. Masterson explained his mission as a musician both on a micro and macro scale.

“I want to write songs that reach people and connect us to one another,” he said. “I strive to have a great, energetic live show and carefully crafted studio recordings. I treat songwriting and performing as a craft that I’m constantly working to improve. I also aim to support other artists, craftspeople, and small business owners who play an active role in their community and do amazing work while doing good. I buy USA made merchandise via locally owned and operated vendors like QRSTs in Somerville. I work with designers and photographers from the immediate area. At the Last Band Standing Final, we also raised $55 (which we are doubling) to donate to the Cambridge Health Alliance’s Haitian Mental Health Clinic. They offer culturally sensitive counseling for folks in our community who may be dealing with family loss or stress following Hurricane Matthew’s devastating impact on the people of Haiti.”

Off the heels of his Last Band Standing win, Masterson has some future plans that he can talk about.

“We’re looking toward a victory mini-tour around New England to celebrate the Last Band Standing win and bring our band to some cities we haven’t been just yet,” he explained. “We’re also starting in early on applications for summer festivals, hoping to get in front of new audiences and keep our momentum moving forward. The radio promotion campaign from Powderfinger Promotions (another Last Band Standing prize) has the potential to really boost our visibility across New England and we want to have some high profile appearances lined up so listeners who happen upon our new tunes have the opportunity to catch our live show too.”

Don’t miss Masterson live at The Common Man in Concord, NH on Nov. 3 and Article 24 in Brighton, MA on Nov. 18. Masterson’s music and complete list of upcoming shows can be found HERE. You can also check out Masterson’s email list which is the primary destination for updates on new music and performances HERE.

10 record store owners from New England talk about vinyl’s resurgence

BY JULIA CIRIGNANO

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Over the past few years there has been a resurgence in vinyl records sales throughout North America. Hipsters are credited with bringing the trend back in the hopes of preserving the authenticity of vinyl. Now, this trend has become part of popular culture again.

In 2015, sales of vinyl records were up 32 percent to $416 million, their highest level since 1988, according to the RIAA (Recording Industry Association of America). Unlike the 1980’s, records are now sold practically everywhere, not just in record stores but in places such as Urban Outfitters, Barnes and Noble and even Whole Foods Market. Businesses make decent money selling vinyl and continue to stock and advertise them.

Since people still appreciate the authentic, sweet sound of vinyl and hope to preserve it for generations to come, Limelight Magazine recently spoke with 10 record store owners throughout New England about the rise in vinyl record sales and why they believe this is happening.

Burlington Records (170 Bank Street, Burlington, VT 05401)

http://burlingtonrecords.com

Jacob Grossi, owner of Burlington Records in Burlington, VT, believes that there has always been an interest in vinyl but it has recently risen due to the substitute not being good enough. Vinyl was replaced by CDs so that music could be more mobile but not everyone is looking for a mobile way to listen to music. Many people still love vinyl records and hope to savor their originality.

Grossi has personally seen an increase in vinyl sales at Burlington Records and talked to Limelight about what he has experienced.

“We’ve had a vinyl only store for ten years. The change over the last ten years though was that we got more new releases,” Grossi said.

He explained that people not only want vinyl records as collectables but they want new and upcoming albums to be available in vinyl format.

Grossi’s favorite album to listen to on vinyl is (Sittin’ On) The Dock of the Bay by soul singer Otis Redding. Grossi also made sure to also specify that he’s talking about the original cut.

Cheapo Records (538 Massachusetts Ave., Cambridge, MA 02139)

http://www.cheaporecords.com

Allen Bay has owned Cheapo Records since the ‘70’s. Over the past few years he has seen a sudden increase in vinyl records sales.

“A few years ago I realized that we’re actually selling more vinyl than CD’s and now we’re selling a lot more,” he said.

Bay talked about the value vinyl records have and how this has changed over the years.

“Records were something you had to have 50 years ago or even 40 years ago. Now, I think it’s more of the fact there are so many young people with disposable incomes. It’s a great hobby. It’s not addictive and it doesn’t put people out on the streets. I think vinyl is great. Young people who are into analog sound, buying old used records, get to hear things the way they should have been,” he said.

Bay also gave his opinion of why he thinks vinyl sales have increased.

“It’s a fad,” he said. “50 years ago everybody who listened to music had to have records. Now it’s an upper middle class, mostly white male, trend. Although I do have some dieheard female customers.”

Bay also talked about another different between vinyl records now compared to what they used to be.

“Not too many people are just buying everything,” he said. ”They’re getting into this, they’re getting into that. I think the internet drives both the interest and the titles.”

Bay mentioned some of his favorite records to listen to on vinyl.

“I grew up as a teenager in the ‘50’s so I like what we called rock ‘n roll,” he said while giving examples, “Ladders, [The] Flamingos, and The Black Keys.”

In Your Ear Records (462 Main St., Warren, RI 02885)

http://www.iye.com

Reed Lapplin, co-owner of In Your Ear Records spoke briefly about why he believes people are interested in vinyl again.

“They’re all bored with their computers,” he said. “They’ve all been staring at their screens too long.”

Lapplin said that he has noticed this rise in popularity within his store.

“Well it’s been going on for a while,” he said. “It’s not the first vinyl revival. It’s happened four or five times already.”

Joe’s Albums  (317 Main St., Worcester, MA 01608)

https://www.joesalbums.com

Limelight Magazine spoke with Joe Demers, owner of Joe’s Albums, about the increase in vinyl record sales. He said that he has seen an increase, “Definitely over the last couple of years, especially the last year. There’s been significant increase that’s coupled with the customer age rang getting a lot broader than it used to be.”

Demers gave his opinion on why he thinks this resurgence in vinyl is happening.

“It might be a push back against downloading music and not physically having anything,” he said. “Vinyl is a bit more of a tangible experience to hold something, put it on the table itself, and maybe sit and read the record sleeve while you’re listening to it. Also, I think you listen a lot more rather than just having music as background noise if you’re streaming or just have something on shuffle.”

Demers had two more possible reasons for the increase in vinyl record sales and interest.

“People in their 40s and those age ranges who grew up with vinyl are now getting back into it,” he said. “Honestly, I also think that the industry is behind it a little bit and pushing it because I don’t believe they make much off a 99-cent or less download and vinyl records are kind of pricey.”

Demers said that his favorite record to listen to on vinyl is Dark Side Of The Moon by Pink Floyd.

Music Connection (1711 S Willow St., Manchester, NH 03103)

http://www.musicconnection.us

John Benedict, owner of Music Connection in Manchester, NH, has seen “a steady increase” in vinyl sales and he talked to Limelight Magazine about why he thinks this is happening.

“I think it’s the physicality,” he said. “I think the other reason is that it’s a way to get away from your device. It provides a comfort and solace away from all the other things that take up your time. It’s a getaway.”

Benedict believes that although CD’s once replaced vinyl, streaming music is becoming the most common way to listen now. With devices such as Pandora and Spotify, anyone can listen to a variety of music for free. Benedict talked about why experiencing vinyl is better than streaming music.

“You literally have to physically place it on the machine and be an active participant,” he said.” I think that’s something that’s a novelty to a younger generation. It’s a conscious decision. I mean, there’s the cool aspect but also if you’re on Snapchat or Instagram or any of those things you need a break and I think vinyl provides that break.”

Benedict talked about the relationship that vinyl creates between the musician and the listener that he believes can’t be replicated with streaming music.

“The other thing is, if you’re dealing with a larger graphic platform you have a 12 by 12 inch place to put artwork,” he said. “You can put little trinkets or extras. You can make the vinyl a different color. You can do glow in the dark covers. There are just so many things you just can’t do with a stream or a download that make it a little more special and make a statement from the artist to the listener.”

Benedict talked about his favorite albums to listen to on vinyl and why.

“It’s Revolver by The Beatles,” he said. “To me, it’s one really great listen. I never get tired of it. I always hear something new and fresh. I hear attention to detail. The songwriting is strong. There’s experimentation. The cover’s black and white and it’s a pen and ink drawing with photos. I just think it’s pretty amazing.”

Nuggets Records (486 Commonwealth Ave., Boston, MA 02215)

http://www.nuggetsrecords.com

Stewart Freedman, owner of Nuggets Records in Boston, MA, spoke with Limelight Magazine about why he thinks vinyl has had a sudden comeback. While he has definitely noticed this trend, he isn’t sure why this is happening. Here are his thoughts.

“It could be the movie High Fidelity,” Freedman said. “Also, some customers think that it might be Jack White the guy from The White Stripes because he has his own record store and really pushed it. I thought that was a little far-fetched but maybe. Also, a lot of kids come in here and tell me that a few years ago they were finding their parents albums in the attic or something.”

Freedman talked about his personal connection with vinyl records.

“I don’t know specifically why but I always thought they were cooler than CD’s,” he said. “When I was a kid you’d have your friends over to look at an album and you would pass around the cover and play the record. I don’t know if people really did that with CD’s. I don’t think they would pass around the booklet because they are so small you can’t really read them.”

When asked what he favorite vinyl album was, he answered, “I like the older stuff like [The] Beatles, [The Rolling] Stones, [Bob] Dylan and there are a lot of good bands out now too that I like such as The Decemberists.”

Round Again Records (278 Wickenden St., Providence, RI 02903)

http://www.roundagainrecordsri.com

Limelight Magazine spoke with Steven Kotler who has owned Round Again Records for 36 years. His store has had great success, although he described it as, “a little 600 foot mom and pop store.”

Kotler doesn’t know exactly why people are suddenly interested in vinyl right now but he has a clear idea about why vinyl has lasted as long as it has.

“Vinyl records sound better,” he said. “They’re tactile. It’s something you can actually hold in your hand. It’s got a great cover.”

Skeletone Records (50 N Main St., Rochester, NH 03867)

http://skeletonerecords.limitedrun.com

Todd Radict, the owner of Skeletone Records, talked to Limelight Magazine about the rise in vinyl popularity and why he thinks this is happening.

“Because it sounds better,” he said. “CD’s always have a high tone pitch that to me is very irritating. Vinyl has a warmer feel. It’s also that you can see the artwork. With CD’s you can’t really see what’s going on. It’s more of a luxury than a CD is. You have to take care of it. If you don’t take care of the record you might not be able to get another one because it might sell out.”

Radict explained the rise he has been in vinyl sales at Skeletone.

“That’s our biggest seller in the store. We have over 100,000 records in the store,” he said.

Spun Records (6 Grove St., Dover, NH 03820)

http://spundover.com

Mark Matarozzo owner of Spun Records, spoke about his opinion on why there has been a sudden interest in vinyl records again. Matarozzo said that he has seen both an increase in vinyl sales and an interest in vinyl again at Spun records

“I think there’s a couple different levels of it,” he began. “There’s an interest through the kids that are hearing about it more and then there’s an older generation that hears ‘oh, the thing that I liked when I was younger is back’. I’ve actually have people here in their mid-forties getting back into vinyl.”

Matarozzo explained a common reason why people prefer vinyl: it’s physical qualities.

“I also think that part of it is that people like to have something tangible,” he said. “Something you can actually hold and unless you get into buying new records, the price for used records is actually pretty reasonable. You can come in with twenty bucks and walk out with six or eight records.”

Matarozzo also talked about his favorite album to listen to on vinyl.

“I usually go with something like Tom Waits’ Rain Dogs. I really enjoy that record and also some of the stuff I listened to when I was in school and younger. I’ve always liked Tool too.”

Sunset Records (1232 Wilbur Ave., Somerset, MA 02725)

Bob Boyer, owner of Sunset Records, spoke about the current resurgence in vinyl sales. He talked about how this sudden vinyl popularity is within many different generations. Because of this, he gets many young people experiencing vinyl for the first time instead of older generations revisiting vinyl.

“A lot of my customers are kids so it’s new to them,” he said. “They’re listening to things that were pre-digital like Led Zeppelin and The Beatles.”

Boyer’s personal favorite vinyl record is an acoustic album by the late Sandy Bull titled Inventions. Bull is a folk singer who Boyer believes has created some amazing music even though he was never very well known. Although he wasn’t a big act, Boyer explained that his music sells well to this day, possibly due to the quality of the acoustic sound on vinyl.

10 Nail Art Designs for Halloween

BY JULIA CIRIGNANO

You know Katie Botelho-Bielatowicz as the co-owner of JKB Entertainment Group and Limelight Magazine, but you may not know that she also does amazing nail art.

Botelho-Bielatowicz went to UMass Dartmouth to pursue a degree in marketing and recently went back to school at the Kay Harvey LaBaron Hairdressing Academy to get her nail technician license. She now has her license and has even pursued some possible careers within the field.

Botelho-Bielatowicz spoke with me about what first sparked her passion for nail art.

“I remember seeing a design that looked nearly impossible, so I decided to try it,” she said. “I was pleasantly surprised at how good it came out and from there on out I’ve been intrigued by trying different things!”

Botelho-Bielatowicz has been painting nails for eight years now but she wasn’t always interested in this art form.

“I used to get acrylics done and decided that I had enough with artificial nails,” Botelho-Bielatowicz said. “I started a job at a beauty supply store and bought my first salon brand polish. I was hooked from there. I now have my own little room that’s dedicated to my nail polish, so you can only imagine how many I own!”

Botelho-Bielatowicz talked about what has inspired her as an artist and what nail art means to her. Although Botelho-Bielatowicz has worked at a nail spa, she now enjoys nail art for recreational use only.

“My love for nail art simply stemmed from other people’s nail art,” Botelho-Bielatowicz said. “I wanted my nails to look like that so I decided to try it for myself. It’s my hobby and my way from stepping aside from reality for a while.”

Although Botelho-Bielatowicz has been painting nails for a while, just over the past few years she began to challenge herself and work on more integrated designs.

“I started faithfully painting my nails about eight years ago and probably a few years after that is when I added nail art to the mix,” Botelho-Bielatowicz said.

“Because of my love for nails, I decided to get my nail technician license,” Botelho-Bielatowicz   said. “There I was taught to do acrylics, although I never do them at home. Every so often I’ll do a gel manicure on myself, but I like to switch my colors so frequently that it’s not worth it for me.”

Botelho-Bielatowicz decided to get her nail technician license just for fun, yet she has also learned a lot from practice and research.

“I’m just a self-taught enthusiast, with the help of YouTube and Pinterest,” she said.

Botelho-Bielatowicz combined her self-taught skills with a variety of techniques she learned at the academy to practice this fine art. Check out her nail art Facebook page HERE which is appropriately called “Confessions of a Nailaholic.”

Seen within the pictures on her page, Botelho-Bielatowicz explores many themes and techniques within her artwork. She talked about the tools she typically uses.

“I mainly use a nail cleaning brush, dotting tools and a small paint brush from the craft store to draw intricate designs,” she said.

Botelho-Bielatowicz enjoys exploring many themes of nail art. She does some simple nail styles but her nail art is also inspired by Tim Burton, moon phases, pineapples, popcorn, nature, The Cookie Monster, The Corpse Bride, Star Wars, cats, flowers, ice cream, sports, The Little Mermaid —  you name it, she’ll paint it.

It’s obvious that Botelho-Bielatowicz enjoys exploring many different nail art themes but she definitely has her favorite.

“My favorite time to do nail art is from October to December,” she said. “There are so many different designs with the holidays that there’s always something to do. I love festive nails!”

Botelho-Bielatowicz especially likes Halloween themed nails.

“Halloween is my favorite time of the year so naturally I love everything about it,” she said. “There are just so many great designs you can do for Halloween and I love the reaction I get when people see my nails and they’re all horror themed. For the most part, most of my artwork is related to Halloween/Tim Burton films. It just makes me happy.”

To coincide with Limelight Magazine‘s 10th anniversary, here are 10 nail art designs done by  Botelho-Bielatowicz  that are perfect for the Halloween season.

BEETLEJUICE

beetlejuice-nailsWILLY WONKA

willy-wonka-nails

CHESHIRE CAT

cheshire-cat-nails

STAR WARS

star-wars-nails

CORPSE BRIDE

corpse-bride-nails

NIGHTMARE BEFORE CHRISTMAS

nightmare-before-christmas

CRIME SCENE

crimse-scene-nails

DAYS OF THE DEAD

day-of-the-dead-nails

MOON PHASES

moon-phase-nails

NIGHTMARE ON ELM STREET

freddy-kruger-nails

10 of the most read stories on Limelight Magazine’s website

To coincide with our 10th anniversary, we wanted to see what the top 10 most read stories on our website were for the past decade (October 2006 – October 2016). Here’s the list of artists with a clickable link to their feature story. (Please click on artist name to be directed to the story).

  1. Jillian Jensen
  2. Paul Bielatowicz
  3. Megadeth
  4. Ayla Brown
  5. Orianthi
  6. Ed Kowalczyk
  7. Audrey Landers
  8. Hurtsmile (featuring Gary Cherone)
  9. Lisa Guyer
  10. Metal Church

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